{"id":1951,"date":"2017-11-16T12:24:17","date_gmt":"2017-11-16T11:24:17","guid":{"rendered":"https:\/\/jordidenadal.com\/?p=1951\/"},"modified":"2017-11-16T12:24:17","modified_gmt":"2017-11-16T11:24:17","slug":"seven-for-seven-from-paris-to-cluny","status":"publish","type":"post","link":"https:\/\/jordidenadal.com\/en\/uncategorized\/seven-for-seven-from-paris-to-cluny\/","title":{"rendered":"Seven for seven: From Paris to Cluny."},"content":{"rendered":"<p><strong>1.\u00a0<\/strong><strong>The always surprising Louvre.<\/strong><\/p>\n<figure id=\"attachment_1953\" aria-describedby=\"caption-attachment-1953\" style=\"width: 233px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1953\" src=\"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/11\/20171116-Picture1-200x300.png\" alt=\"\" width=\"233\" height=\"350\" srcset=\"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/11\/20171116-Picture1-200x300.png 200w, https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/11\/20171116-Picture1.png 400w\" sizes=\"(max-width: 233px) 100vw, 233px\" \/><figcaption id=\"caption-attachment-1953\" class=\"wp-caption-text\"><em>Photo: Mus\u00e9e du Louvre<\/em><\/figcaption><\/figure>\n<p>If you travel to Paris, don\u2019t miss <strong><em><a href=\"http:\/\/www.louvre.fr\/expositions\/francois-ier-et-l-art-des-pays-bas\">Fran\u00e7ois Ier et l\u2019Art des Pays-Bas<\/a><\/em><\/strong> at the Louvre. Conservator C\u00e9cile Scailli\u00e9rez has put together this surprisingly generous, rich exhibition of Flemish and Dutch artists in Renaissance France, whose achievments had been overshadowed by those of their Italian counterparts for too long. The catalogue is a reference work in the field.<\/p>\n<p><strong>2. Picasso, day-to-day.<\/strong><\/p>\n<figure id=\"attachment_1954\" aria-describedby=\"caption-attachment-1954\" style=\"width: 235px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1954\" src=\"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/11\/20171116-Picture2-201x300.png\" alt=\"\" width=\"235\" height=\"350\" srcset=\"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/11\/20171116-Picture2-201x300.png 201w, https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/11\/20171116-Picture2.png 579w\" sizes=\"(max-width: 235px) 100vw, 235px\" \/><figcaption id=\"caption-attachment-1954\" class=\"wp-caption-text\"><em>Photo: Mus\u00e9e Picasso<\/em><\/figcaption><\/figure>\n<p><strong><em><a href=\"http:\/\/www.museepicassoparis.fr\/en\/\">Picasso 1937. L\u2019an\u00e9e \u00e9rotique<\/a><\/em><\/strong> at the Mus\u00e9e Picasso in Paris gives you more than what its catchy title promises. You can trace Picasso\u2019s amazing work capacity, and his ability to jump from one style to another, in a matter of days, all as part of coherent, brilliant journey on the many languages at his disposal.<\/p>\n<p><strong>3. The quality is old, the money is new.<\/strong><\/p>\n<figure id=\"attachment_1955\" aria-describedby=\"caption-attachment-1955\" style=\"width: 268px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1955\" src=\"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/11\/20171116-Picture3-230x300.png\" alt=\"\" width=\"268\" height=\"350\" srcset=\"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/11\/20171116-Picture3-230x300.png 230w, https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/11\/20171116-Picture3-212x277.png 212w, https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/11\/20171116-Picture3.png 392w\" sizes=\"(max-width: 268px) 100vw, 268px\" \/><figcaption id=\"caption-attachment-1955\" class=\"wp-caption-text\"><em>Photo: Christie&#8217;s<\/em><\/figcaption><\/figure>\n<p>You will find a good account of the extraordinary sale of the Leonardo\u2019s <em>Salvator Mundi <\/em>in <strong><a href=\"https:\/\/news.artnet.com\/market\/last-known-leonardo-da-vinci-painting-just-sold-1149032\">artnet<\/a><\/strong>, plus a <a href=\"http:\/\/www.christies.com\/features\/Leonardo-and-Post-War-results-New-York-8729-3.aspx?pid=en_homepage_row1_slot1_1\">video<\/a> recording the bidding at <strong><a href=\"http:\/\/www.christies.com\/features\/Leonardo-and-Post-War-results-New-York-8729-3.aspx?pid=en_homepage_row1_slot1_1\">Christie\u2019s<\/a><\/strong>. The auction house\u2019s strategy of offering the Old Master\u2019s masterpiece in a Contemporary Art sale has proved brilliant, since the last two bidders were represented by Francois de Poortere, International Director and Head of the Old Master\u2019s Department, making small advances, and Alex Rotter, Chairman of Post-War and Contemporary Art for the Americas, who placed great increments, until his winning bid at $450.3 million (including fees).<\/p>\n<p><strong>4. Buy cheap, give generously.<\/strong><\/p>\n<p>In <em>ARCA&#8217;<\/em>s blog, you will find an interesting <a href=\"http:\/\/art-crime.blogspot.com.es\/2017\/11\/same-church-different-pew-scott-carroll.html\"><strong>article<\/strong><\/a> explaining a \u201cclever\u201d fiscal optimization scheme: buy some important ancient artwork at a good price; have it appreciated for much, much more than your purchase price by some \u201cexpert\u201d appraiser (duly provided by the seller); make a gift of the artwork to a museum; collect the tax-benefits attached to the donation &#8211; worth up to three times than your purchase price.<\/p>\n<p><strong>5. Promising.<\/strong><\/p>\n<figure id=\"attachment_1956\" aria-describedby=\"caption-attachment-1956\" style=\"width: 200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1956\" src=\"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/11\/20171116-Picture5-169x300.png\" alt=\"\" width=\"200\" height=\"354\" srcset=\"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/11\/20171116-Picture5-169x300.png 169w, https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/11\/20171116-Picture5.png 534w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><figcaption id=\"caption-attachment-1956\" class=\"wp-caption-text\"><em>Anonymous (Antwerp), Carved retable of the Passion of Christ, c. 1510. Burgos, San Photo: Lesmes, Capilla de Salamanca<\/em> (Hans Nieuwdorp Archive, Illuminare \u2013 Centre for the Study of Medieval Art | KU Leuven).<\/figcaption><\/figure>\n<p>Brepols will publish in January next year <a href=\"http:\/\/www.brepols.net\/Pages\/ShowProduct.aspx?prod_id=IS-9781909400825-1\"><strong>\u201cNetherlandish Art and Luxury Goods in Renaissance Spain\u201d,<\/strong><\/a> (edited by <a href=\"http:\/\/www.brepols.net\/Pages\/ShowAuthor.aspx?lid=177190\">D. van Heesch<\/a>,\u00a0<a href=\"http:\/\/www.brepols.net\/Pages\/ShowAuthor.aspx?lid=177216\">R. Janssen<\/a>,\u00a0<a href=\"http:\/\/www.brepols.net\/Pages\/ShowAuthor.aspx?lid=177218\">J. Van der Stock<\/a>), which will \u201c<em>explore the diverse ways in which Netherlandish art and luxury goods permeated the artistic landscape of Renaissance Spain\u201d,<\/em> and therefore \u201c<em>providing a fascinating and multifaceted view of the reciprocal relationships between the Low Countries and Spain in the fifteenth, sixteenth and early seventeenth centuries\u201d.<\/em> It will follow a <strong><a href=\"https:\/\/netherlandishartinspain.wordpress.com\/\">symposium<\/a><\/strong> of the same title hold at the University of Leuven, in February 2016.<\/p>\n<p><strong>6. The T\u00e0pies case: a German contribution.<\/strong><\/p>\n<p>Regarding artist Antoni T\u00e0pies private collection\u2019s sale, I took the side in favor of it, since I had read no article or study relating it to the late artist\u2019s oeuvre. Well, it could be very well I was wrong: <strong><a href=\"http:\/\/www.faz.net\/aktuell\/feuilleton\/kunstmarkt\/auktion-bei-christie-s-die-zeugen-seines-uvres-15224218.html\">Barbara Catoir<\/a><\/strong> at the FAZ make a good case presenting it as a <em>\u201ctypische K\u00fcnstlersammlung\u201d<\/em>, short of any really important work, but with many ties to T\u00e0pies\u2019 creative process.<\/p>\n<p><strong>7. The monk\u2019s treasure.<\/strong><\/p>\n<figure id=\"attachment_1957\" aria-describedby=\"caption-attachment-1957\" style=\"width: 331px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1957\" src=\"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/11\/20171116-Picture7-284x300.png\" alt=\"\" width=\"331\" height=\"350\" srcset=\"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/11\/20171116-Picture7-284x300.png 284w, https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/11\/20171116-Picture7-212x224.png 212w, https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/11\/20171116-Picture7.png 498w\" sizes=\"(max-width: 331px) 100vw, 331px\" \/><figcaption id=\"caption-attachment-1957\" class=\"wp-caption-text\"><em>Photo: Universit\u00e9 Lumi\u00e8re Lyon 2<\/em><\/figcaption><\/figure>\n<p>The heroes of the R\u00e9volution missed it, and it remained unearthed until last September: at the CNRS online <strong><a href=\"https:\/\/news.cnrs.fr\/articles\/a-medieval-treasure-discovered-in-cluny#footnote2_j5t1x0i\">blog<\/a><\/strong>, you can read the report of the fascinating finding of a treasure trove <em>(\u201c<\/em><em>2,200 silver coins, 21 gold dinars, a gold signet ring with a Roman intaglio, a folded piece of gold leaf, and a small gold object\u201d) <\/em>found in the Abbey of Cluny, by a MA student working on the site.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>1.\u00a0The always surprising Louvre. If you travel to Paris, don\u2019t miss Fran\u00e7ois Ier et l\u2019Art des Pays-Bas at the Louvre. Conservator C\u00e9cile Scailli\u00e9rez has put together this surprisingly generous, rich exhibition of Flemish and Dutch artists in Renaissance France, whose achievments had been overshadowed by those of their Italian counterparts for too long. The catalogue [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7,8,14,15,24,29,42,52,3],"tags":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Seven for seven: From Paris to Cluny. - Jordi de Nadal | Fine Arts<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jordidenadal.com\/en\/uncategorized\/seven-for-seven-from-paris-to-cluny\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Seven for seven: From Paris to Cluny. - Jordi de Nadal | Fine Arts\" \/>\n<meta property=\"og:description\" content=\"1.\u00a0The always surprising Louvre. 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If you travel to Paris, don\u2019t miss Fran\u00e7ois Ier et l\u2019Art des Pays-Bas at the Louvre. Conservator C\u00e9cile Scailli\u00e9rez has put together this surprisingly generous, rich exhibition of Flemish and Dutch artists in Renaissance France, whose achievments had been overshadowed by those of their Italian counterparts for too long. 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