{"id":1939,"date":"2017-11-10T21:06:34","date_gmt":"2017-11-10T20:06:34","guid":{"rendered":"https:\/\/jordidenadal.com\/?p=1939\/"},"modified":"2017-11-10T21:06:34","modified_gmt":"2017-11-10T20:06:34","slug":"seven-for-seven-from-new-york-to-madrid","status":"publish","type":"post","link":"https:\/\/jordidenadal.com\/en\/auctions\/seven-for-seven-from-new-york-to-madrid\/","title":{"rendered":"Seven for seven: From New York to Madrid."},"content":{"rendered":"

1. A lesson in connaisseurship \u2013 and research.<\/strong><\/p>\n

\"\"
Photo: St\u00e4del Museum<\/em><\/figcaption><\/figure>\n

Met Curator Carmen C. Bambach explains<\/a> <\/strong>to The<\/em> New York Times<\/em> how she attributed a new drawing (Sleeping Reclining Male Nude With Boy-Genius<\/em>) to Michelangelo. She is is presenting it in the forthcoming retrospective<\/strong><\/a> at the Met (from November 13th to February 12th, 2018).<\/p>\n

2. <\/strong>New issue.<\/strong><\/p>\n

\"\"<\/p>\n

The Autumn 2017 issue of the online journal Nineteenth Century Art Worlwid<\/strong>e<\/em><\/a> is out there, and you all can enjoy it for free. Not a single article related to Catalonia or Spain this time, but still full of good contributions, like this rich review of Medardo Rosso\u2019s<\/a> <\/strong>retrospective in Saint Louis by Susan Waller, Professor at University of Missouri.<\/p>\n

3. A Goya for almost 98 Fortuny.<\/strong><\/p>\n

The Garant\u00eda del Estado<\/em> program (equivalent to UK\u2019s Government Indemnity Scheme) insured the early \u201cThe Victorious Hannibal<\/strong><\/em><\/a>\u201d<\/em> \u00a0by Goya (oil on cavas, 87 x 131,5 cm), for his recently extended exhibition term at the Museo del Prado, with 18 million euros. At the same time and under the same program, 98 works by Mari\u00e0 Fortuny<\/a><\/strong>, which are coming to the Prado for the upcoming retrospective, are covered with 18,804,239.60 \u20ac.<\/p>\n

4. And a hundred Picasso\u2019s for 1,200,000 \u20ac.<\/strong><\/p>\n

\"\"
Foto: Ader<\/em><\/figcaption><\/figure>\n

\u00a0<\/strong>No doubt one of the season\u2019s most desired lots for engravings\u2019 lovers is n. 317<\/strong><\/a> of the sale at Ader Paris on November 25th: a Suite Vollard<\/em> from the collection of Henri M. Petiet (estimate: 1.2 million euros). The lot\u2019s notice<\/strong><\/a> summarizes the Suite\u2019s troubled history.<\/p>\n

5.<\/strong> Abolish the \u201cscholarship tax\u201d.<\/strong><\/p>\n

A group of leading British art historians have written an open letter against what they call the \u201cscholarship tax\u201d, e. g., the fee for reproducing photos from works in museums in their papers and books \u2013 a full report on the subject in the blog<\/strong><\/a> of the anti-tax activist Bendor Grosvenor\u2019s.<\/p>\n

6. Gurlitt, the aftermath.<\/strong><\/p>\n

According to Marcel Br\u00fclhart, Vicepresident of the Dachstiftung des Kunstmuseums Bern<\/em>, there was not many Nazi-tainted works in the Gurlitt collection they are now exhibiting (Gurlitt: Status Report.\u201cDegenerate Art\u201d \u2013 confiscated and sold<\/em><\/strong><\/a>,<\/em><\/strong> until March 4, 2018, with a parallel exhibition in Bonn), but its coming to the Kunstmuseum Bern has prompted research in many other Swiss museum to fill provenance gaps of other works in their collections \u2013 interview in F.A.Z.<\/em><\/strong><\/a><\/p>\n

7. The best must be inside.<\/strong><\/p>\n

\"\"
Photo: Museo de las Colecciones Reales<\/em><\/figcaption><\/figure>\n

The new Museo de las Colecciones Reales<\/strong><\/a> has announced its opening<\/strong><\/a> for January 2020. The building is already competed (and duly awarded, as reported). It is, as you can see, a dry irony for a museum whose mission is to show the Spanish Royals as tastemakers. The collection inside will we, however, splendid \u2013 including the exquisite Armory<\/strong>.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

1. A lesson in connaisseurship \u2013 and research. Met Curator Carmen C. Bambach explains to The New York Times how she attributed a new drawing (Sleeping Reclining Male Nude With Boy-Genius) to Michelangelo. She is is presenting it in the forthcoming retrospective at the Met (from November 13th to February 12th, 2018). 2. New issue. […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7,15,24,29,42,52],"tags":[],"acf":[],"yoast_head":"\nSeven for seven: From New York to Madrid. - Jordi de Nadal | Fine Arts<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jordidenadal.com\/en\/auctions\/seven-for-seven-from-new-york-to-madrid\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Seven for seven: From New York to Madrid. - Jordi de Nadal | Fine Arts\" \/>\n<meta property=\"og:description\" content=\"1. A lesson in connaisseurship \u2013 and research. Met Curator Carmen C. Bambach explains to The New York Times how she attributed a new drawing (Sleeping Reclining Male Nude With Boy-Genius) to Michelangelo. She is is presenting it in the forthcoming retrospective at the Met (from November 13th to February 12th, 2018). 2. New issue. 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