{"id":1888,"date":"2017-10-27T07:33:50","date_gmt":"2017-10-27T05:33:50","guid":{"rendered":"https:\/\/jordidenadal.com\/?p=1888\/"},"modified":"2017-10-27T07:33:50","modified_gmt":"2017-10-27T05:33:50","slug":"seven-for-seven-from-collection-godia-to-the-return-of-history","status":"publish","type":"post","link":"https:\/\/jordidenadal.com\/en\/books\/seven-for-seven-from-collection-godia-to-the-return-of-history\/","title":{"rendered":"Seven for seven: From Collection Godia to the Return of History"},"content":{"rendered":"<p><strong>1. Books 1: Keep the curator.<\/strong><strong>\u00a0<\/strong><\/p>\n<figure id=\"attachment_1899\" aria-describedby=\"caption-attachment-1899\" style=\"width: 350px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1899\" src=\"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/10\/21071026Picture1-300x229.jpg\" alt=\"\" width=\"350\" height=\"267\" srcset=\"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/10\/21071026Picture1-300x229.jpg 300w, https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/10\/21071026Picture1-212x162.jpg 212w, https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/10\/21071026Picture1-768x586.jpg 768w, https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/10\/21071026Picture1.jpg 787w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><figcaption id=\"caption-attachment-1899\" class=\"wp-caption-text\"><em>Photo: Collection Godia<\/em><\/figcaption><\/figure>\n<p>The Godia Fundation left its site in central Barcelona last year and sold some of its works, but kept its curator, Merc\u00e8 Ob\u00f3n. And so Obon\u2019s contiuous research on the collection keeps bringing new discoveries: in the catalogue for the exhibition hold in Museo Episcopal de Malaga last July\u00a0<em>(<strong><a href=\"https:\/\/www.diocesismalaga.es\/residencias\/2014047741\/la-esencia-de-la-belleza\/\">La esencia de la belleza<\/a><\/strong>),<\/em> you will find who the sitters in this magnificient Ramon Casas are, and other interesting new data.<\/p>\n<p><strong>2. Books 2: a Tefaf\u2019s veteran comes afresh.<\/strong><\/p>\n<figure id=\"attachment_1892\" aria-describedby=\"caption-attachment-1892\" style=\"width: 278px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1892\" src=\"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/10\/21071026Picture2-238x300.jpg\" alt=\"\" width=\"278\" height=\"350\" srcset=\"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/10\/21071026Picture2-238x300.jpg 238w, https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/10\/21071026Picture2-1218x1536.jpg 1218w, https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/10\/21071026Picture2-212x267.jpg 212w, https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/10\/21071026Picture2-768x968.jpg 768w, https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/10\/21071026Picture2-812x1024.jpg 812w, https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/10\/21071026Picture2.jpg 1358w\" sizes=\"(max-width: 278px) 100vw, 278px\" \/><figcaption id=\"caption-attachment-1892\" class=\"wp-caption-text\"><em>Photo: Eguiguren<\/em><\/figcaption><\/figure>\n<p>As we announced some weeks ago, Eguiguren first showed this grand panel in Tefaf Maastricht 2016 as the work of a Spanish anonymous artist, and will now present it in <strong><a href=\"https:\/\/www.tefaf.com\/fairs\/tefaf-new-york-fall\">Tefaf New York <\/a><\/strong>as the work of the Maestro de Belmonte. To accompany they are publishing a catalogue by Alberto Velasco <em>(Virgin and Child with Musicina Angels. The Master of Belmonte and Late Medieval Aragonese<\/em> <em>Painting, <\/em>Eguiguren 2017)\u00a0which is in fact a complete study of the 16<sup>th<\/sup> century school of Calatayud, completed with other new attributions and a generous supply of technical data.<\/p>\n<p><strong>3. Books 3: Michelangelo<\/strong><\/p>\n<figure id=\"attachment_1889\" aria-describedby=\"caption-attachment-1889\" style=\"width: 303px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1889\" src=\"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/10\/21071026Picture3-260x300.png\" alt=\"\" width=\"303\" height=\"350\" srcset=\"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/10\/21071026Picture3-260x300.png 260w, https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/10\/21071026Picture3-212x245.png 212w, https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/10\/21071026Picture3.png 590w\" sizes=\"(max-width: 303px) 100vw, 303px\" \/><figcaption id=\"caption-attachment-1889\" class=\"wp-caption-text\"><em>Photo: Yale University Press<\/em><\/figcaption><\/figure>\n<p>You can already book the catalogue for the upcoming <a href=\"https:\/\/www.metmuseum.org\/press\/exhibitions\/2017\/michelangelo\"><strong>exhibition<\/strong><\/a> at the Metropolitan (opens on November 13<sup>th<\/sup>), edited by Carmen C. Bambach, at <a href=\"https:\/\/yalebooks.yale.edu\/book\/9781588396372\/michelangelo\"><strong>yale.com<\/strong><\/a> for $65.<\/p>\n<p><strong>\u00a04.\u00a0<\/strong><strong>Women, women, women everywhere.<\/strong><\/p>\n<figure id=\"attachment_1891\" aria-describedby=\"caption-attachment-1891\" style=\"width: 400px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1891\" src=\"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/10\/21071026Picture4-300x217.png\" alt=\"\" width=\"400\" height=\"289\" srcset=\"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/10\/21071026Picture4-300x217.png 300w, https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/10\/21071026Picture4-212x153.png 212w, https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/10\/21071026Picture4.png 665w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><figcaption id=\"caption-attachment-1891\" class=\"wp-caption-text\"><em>Maruja Mallo.\u00a0Kerm\u00e9s, 1928.\u00a0Castres-Mus\u00e9e Goya, Mus\u00e9e d&#8217;art hispanique \u00a9 Centre Pompidou, MNAM-CCI, Dist. RMN-Grand Palais \/ Jacques Faujour \u00a9 Maruja Mallo, VEGAP, M\u00e1laga, 2017<\/em><\/figcaption><\/figure>\n<p>Before going for Olga Sacharoff (1889-1967) in the \u00a0<a href=\"http:\/\/www.museuart.com\/exposicions\/\"><strong>Museu d\u2019Art de Girona<\/strong><\/a> (from November 25<sup>th<\/sup>), you can travel to \u00a0the Museo Picasso in Malaga to see their selection of 18 Surrealist ladies, under the title <a href=\"http:\/\/www.museopicassomalaga.org\/exposiciones-temporales\/mujeres-artistas-y-surrealismo\"><strong><em>Somos plenamente libres. Las mujeres artistas y el Surrealismo<\/em><\/strong><\/a> (until January 28<sup>th<\/sup>, <a href=\"http:\/\/www.elmundo.es\/cultura\/2017\/10\/10\/59dbc76be5fdeacd308b45a2.html\"><strong>comment<\/strong><\/a> in <em>El Mundo<\/em>). Meanwhile, <a href=\"http:\/\/guillermodeosma.com\/index.php\"><strong>Guillermo de Osma<\/strong><\/a> shows in Madrid a retrospective of Maruja Mallo (1902-1995), until November 10<sup>th\u00a0 <\/sup>(catalogue <a href=\"http:\/\/guillermodeosma.com\/pdf\/marujamallo.pdf\"><strong>here<\/strong><\/a>). The exhibition coincides with the launching of Mallo\u2019s oil paintings catalogue raisonn\u00e9 initiative, lead by Mr Osma, Juan P\u00e9rez de Ayala and Antonio G\u00f3mez Conde. You can send your photos of Mallo\u2019s works to <a href=\"mailto:catalogorazonado@marujamallo.com\"><strong>catalogorazonado@marujamallo.com<\/strong><\/a> (website: <a href=\"http:\/\/marujamallo.com\/\"><strong>www.marujamallo.com<\/strong><\/a>)<\/p>\n<p><strong>5. A family tradition.<\/strong><\/p>\n<p>The daughter of the late sculptor Pau Gargallo follows her family\u2019s generous tradition with a new donation, this time of five important bronzes to the <strong><a href=\"http:\/\/www.museoreinasofia.es\/ca\">Museo Reina Sof\u00eda<\/a><\/strong> in Madrid (note from <strong><a href=\"https:\/\/www.efe.com\/efe\/espana\/cultura\/el-reina-sofia-recibe-la-donacion-de-cinco-esculturas-pablo-gargallo\/10005-3407428\">Efe<\/a><\/strong>). It is thanks to Mme. Gargallo&#8217;s mother that the <strong><a href=\"http:\/\/www.museunacional.cat\/ca\/advanced-piece-search?title_1=gargallo&amp;title=&amp;field_piece_inventory_number_value=&amp;keys=\">Museu Nacional d\u2019Art de Catalunya<\/a><\/strong> holds an excellent selection of her father&#8217;s works.<strong>\u00a0<\/strong><\/p>\n<p><strong>6. Weimar in Frankfurt.<\/strong><\/p>\n<figure id=\"attachment_1897\" aria-describedby=\"caption-attachment-1897\" style=\"width: 350px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1897\" src=\"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/10\/21071026Picture6.jpg\" alt=\"\" width=\"350\" height=\"233\" srcset=\"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/10\/21071026Picture6.jpg 275w, https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/10\/21071026Picture6-212x141.jpg 212w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><figcaption id=\"caption-attachment-1897\" class=\"wp-caption-text\"><em>Photo: Schrin<\/em><\/figcaption><\/figure>\n<p>The Schirn Kunsthalle in Frankfurt opens an <strong><a href=\"http:\/\/www.schirn.de\/en\/exhibitions\/2017\/splendor_and_misery_in_the_weimar_republic\/\">exhibition<\/a><\/strong> about art in the Weimar Republic, with a fine <strong><a href=\"http:\/\/www.schirn.de\/glanzundelend\/digitorial\/en\">digitorial<\/a><\/strong> &#8211;\u00a0<em>Splendor and Misery in the Weimar Republic, <\/em>until February 25th, 2018.<\/p>\n<p><strong>7. The return of Seven for Seven\u2019s Challenge: again, find the 7 differences.<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1894\" src=\"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/10\/21071026Picture7a-201x300.png\" alt=\"\" width=\"201\" height=\"300\" srcset=\"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/10\/21071026Picture7a-201x300.png 201w, https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/10\/21071026Picture7a.png 317w\" sizes=\"(max-width: 201px) 100vw, 201px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1895\" src=\"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/10\/21071026Picture7b-300x266.png\" alt=\"\" width=\"300\" height=\"266\" srcset=\"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/10\/21071026Picture7b-300x266.png 300w, https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/10\/21071026Picture7b-212x188.png 212w, https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/10\/21071026Picture7b.png 532w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>Again, too hard. History does repeat itself.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>1. Books 1: Keep the curator.\u00a0 The Godia Fundation left its site in central Barcelona last year and sold some of its works, but kept its curator, Merc\u00e8 Ob\u00f3n. And so Obon\u2019s contiuous research on the collection keeps bringing new discoveries: in the catalogue for the exhibition hold in Museo Episcopal de Malaga last July\u00a0(La [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[8,14,15,24,29,42,52],"tags":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Seven for seven: From Collection Godia to the Return of History - Jordi de Nadal | Fine Arts<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jordidenadal.com\/en\/books\/seven-for-seven-from-collection-godia-to-the-return-of-history\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Seven for seven: From Collection Godia to the Return of History - Jordi de Nadal | Fine Arts\" \/>\n<meta property=\"og:description\" content=\"1. Books 1: Keep the curator.\u00a0 The Godia Fundation left its site in central Barcelona last year and sold some of its works, but kept its curator, Merc\u00e8 Ob\u00f3n. And so Obon\u2019s contiuous research on the collection keeps bringing new discoveries: in the catalogue for the exhibition hold in Museo Episcopal de Malaga last July\u00a0(La [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/jordidenadal.com\/en\/books\/seven-for-seven-from-collection-godia-to-the-return-of-history\/\" \/>\n<meta property=\"og:site_name\" content=\"Jordi de Nadal | Fine Arts\" \/>\n<meta property=\"article:published_time\" content=\"2017-10-27T05:33:50+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/10\/21071026Picture1-300x229.jpg\" \/>\n<meta name=\"author\" content=\"jordi\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"jordi\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/jordidenadal.com\/en\/books\/seven-for-seven-from-collection-godia-to-the-return-of-history\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/jordidenadal.com\/en\/books\/seven-for-seven-from-collection-godia-to-the-return-of-history\/\"},\"author\":{\"name\":\"jordi\",\"@id\":\"https:\/\/jordidenadal.com\/en\/#\/schema\/person\/f96ea5a622d76dd0eed1e795f03fd97d\"},\"headline\":\"Seven for seven: From Collection Godia to the Return of History\",\"datePublished\":\"2017-10-27T05:33:50+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/jordidenadal.com\/en\/books\/seven-for-seven-from-collection-godia-to-the-return-of-history\/\"},\"wordCount\":517,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/jordidenadal.com\/en\/#\/schema\/person\/f96ea5a622d76dd0eed1e795f03fd97d\"},\"image\":{\"@id\":\"https:\/\/jordidenadal.com\/en\/books\/seven-for-seven-from-collection-godia-to-the-return-of-history\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/10\/21071026Picture1-300x229.jpg\",\"articleSection\":[\"Books\",\"Discoveries\",\"Exhibitions\",\"Market\",\"Museums\",\"Research\",\"Seven for seven\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/jordidenadal.com\/en\/books\/seven-for-seven-from-collection-godia-to-the-return-of-history\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/jordidenadal.com\/en\/books\/seven-for-seven-from-collection-godia-to-the-return-of-history\/\",\"url\":\"https:\/\/jordidenadal.com\/en\/books\/seven-for-seven-from-collection-godia-to-the-return-of-history\/\",\"name\":\"Seven for seven: From Collection Godia to the Return of History - 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Books 1: Keep the curator.\u00a0 The Godia Fundation left its site in central Barcelona last year and sold some of its works, but kept its curator, Merc\u00e8 Ob\u00f3n. And so Obon\u2019s contiuous research on the collection keeps bringing new discoveries: in the catalogue for the exhibition hold in Museo Episcopal de Malaga last July\u00a0(La [&hellip;]","og_url":"https:\/\/jordidenadal.com\/en\/books\/seven-for-seven-from-collection-godia-to-the-return-of-history\/","og_site_name":"Jordi de Nadal | Fine Arts","article_published_time":"2017-10-27T05:33:50+00:00","og_image":[{"url":"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/10\/21071026Picture1-300x229.jpg","type":"","width":"","height":""}],"author":"jordi","twitter_card":"summary_large_image","twitter_misc":{"Written by":"jordi","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/jordidenadal.com\/en\/books\/seven-for-seven-from-collection-godia-to-the-return-of-history\/#article","isPartOf":{"@id":"https:\/\/jordidenadal.com\/en\/books\/seven-for-seven-from-collection-godia-to-the-return-of-history\/"},"author":{"name":"jordi","@id":"https:\/\/jordidenadal.com\/en\/#\/schema\/person\/f96ea5a622d76dd0eed1e795f03fd97d"},"headline":"Seven for seven: From Collection Godia to the Return of History","datePublished":"2017-10-27T05:33:50+00:00","mainEntityOfPage":{"@id":"https:\/\/jordidenadal.com\/en\/books\/seven-for-seven-from-collection-godia-to-the-return-of-history\/"},"wordCount":517,"commentCount":0,"publisher":{"@id":"https:\/\/jordidenadal.com\/en\/#\/schema\/person\/f96ea5a622d76dd0eed1e795f03fd97d"},"image":{"@id":"https:\/\/jordidenadal.com\/en\/books\/seven-for-seven-from-collection-godia-to-the-return-of-history\/#primaryimage"},"thumbnailUrl":"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/10\/21071026Picture1-300x229.jpg","articleSection":["Books","Discoveries","Exhibitions","Market","Museums","Research","Seven for seven"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/jordidenadal.com\/en\/books\/seven-for-seven-from-collection-godia-to-the-return-of-history\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/jordidenadal.com\/en\/books\/seven-for-seven-from-collection-godia-to-the-return-of-history\/","url":"https:\/\/jordidenadal.com\/en\/books\/seven-for-seven-from-collection-godia-to-the-return-of-history\/","name":"Seven for seven: From Collection Godia to the Return of History - 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