{"id":1722,"date":"2017-09-14T06:00:06","date_gmt":"2017-09-14T04:00:06","guid":{"rendered":"https:\/\/jordidenadal.com\/?p=1722\/"},"modified":"2017-09-14T11:58:14","modified_gmt":"2017-09-14T09:58:14","slug":"from-monaco-to-iraq","status":"publish","type":"post","link":"https:\/\/jordidenadal.com\/en\/uncategorized\/from-monaco-to-iraq\/","title":{"rendered":"Seven for seven: From Monaco to Iraq."},"content":{"rendered":"<p><strong>1. Morgan the judge.<\/strong><\/p>\n<p>In the case brought in Monaco against him by his former client Dimitry Rybolovlev, over commissions as his advisor, Swiss \u201cKing of the Freeports\u201d Yves Bouvier has been feeling the benefits of a having judge, Morgan \u00a0Raymond, asking the Russian magnate the right questions (article at <em><a href=\"http:\/\/www.bilan.ch\/economie-plus-de-redaction\/suisse-yves-bouvier-serait-tombe-un-piege-a-monaco\"><strong>Bilan<\/strong><\/a><\/em>, via <em><a href=\"https:\/\/news.artnet.com\/art-world\/art-industry-news-august-24-1060199?utm_content=from_&amp;utm_source=Sailthru&amp;utm_medium=email&amp;utm_campaign=European%20afternoon%20newsletter%20for%208\/24\/17&amp;utm_term=New%20Euro%20Newsletter%20List%20%2830%20Day%20Eng\"><strong>artnet<\/strong><\/a><\/em>). Morgan came in some months ago, after the previously assigned judge asked for a low-key transfer to the R\u00e9union Island (see <a href=\"https:\/\/www.letemps.ch\/suisse\/2015\/12\/09\/juge-instruction-charge-affaire-bouvier-quitte-fonctions\"><strong><em>Le Temps<\/em><\/strong><\/a>).<\/p>\n<p><strong>2. Fred the art historian.<\/strong><\/p>\n<figure id=\"attachment_1727\" aria-describedby=\"caption-attachment-1727\" style=\"width: 268px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1727\" src=\"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/09\/20170914Picture2-230x300.png\" alt=\"\" width=\"268\" height=\"350\" srcset=\"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/09\/20170914Picture2-230x300.png 230w, https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/09\/20170914Picture2-212x277.png 212w, https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/09\/20170914Picture2.png 493w\" sizes=\"(max-width: 268px) 100vw, 268px\" \/><figcaption id=\"caption-attachment-1727\" class=\"wp-caption-text\"><em>Photo: www.fredgmeijer.com.<\/em><\/figcaption><\/figure>\n<p>We read at <a href=\"https:\/\/www.codart.nl\/personal\/fred-meijer-launches-fred-g-meijer-art-history\/\"><strong>CODART\u2019s<\/strong><\/a> news service Dr. Fred G. Meijer, an specialist in Dutch Golden Age painting, has left the <a href=\"https:\/\/rkd.nl\/nl\/\"><strong>RKD<\/strong><\/a>, where he was the point of reference in his role as Senior Curator, and has set up shop by himself (at <a href=\"http:\/\/www.fredgmeijer.com\"><strong>www.fredgmeijer.com<\/strong><\/a>). He offers attribution services, excluding any valuation, on a set hourly fee, plus lectures, essays and collection cataloguing.<\/p>\n<p><strong>3. Manuel the director.<\/strong><\/p>\n<figure id=\"attachment_1728\" aria-describedby=\"caption-attachment-1728\" style=\"width: 350px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1728\" src=\"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/09\/20170914Picture3-300x206.png\" alt=\"\" width=\"350\" height=\"241\" srcset=\"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/09\/20170914Picture3-300x206.png 300w, https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/09\/20170914Picture3-212x146.png 212w, https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/09\/20170914Picture3.png 625w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><figcaption id=\"caption-attachment-1728\" class=\"wp-caption-text\"><em>Photo: Il Giornale dell\u2019Arte.<\/em><\/figcaption><\/figure>\n<p>The opening of the magical \u201cLouvre of the Sands\u201d in Abu Dabhi is scheduled for November 11<sup>th<\/sup>. <em>Il Giornale dell\u2019Arte<\/em> offers you an exclusive <a href=\"http:\/\/www.ilgiornaledellarte.com\/articoli\/2017\/9\/128137.html\"><strong>interview<\/strong><\/a> with his director, Manuel Rabat\u00e9.<\/p>\n<p><strong>4. See you in Berlin\u2026<\/strong><\/p>\n<figure id=\"attachment_1729\" aria-describedby=\"caption-attachment-1729\" style=\"width: 322px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1729\" src=\"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/09\/20170914Picture4-276x300.png\" alt=\"\" width=\"322\" height=\"350\" srcset=\"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/09\/20170914Picture4-276x300.png 276w, https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/09\/20170914Picture4-212x231.png 212w, https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/09\/20170914Picture4.png 440w\" sizes=\"(max-width: 322px) 100vw, 322px\" \/><figcaption id=\"caption-attachment-1729\" class=\"wp-caption-text\"><em>Photo: Gem\u00e4ldegalerie.<\/em><\/figcaption><\/figure>\n<p>\u2026to see Jean Fouquet\u2019s <em>Von Melun\u2019s Diptych<\/em> surviving panels reunited, along others works of the master and his contemporaries, at the<a href=\"http:\/\/www.smb.museum\/en\/exhibitions\/detail\/jean-fouquet-das-diptychon-von-melun.html\"> <strong>exhibition<\/strong><\/a> in the Gem\u00e4ldegalerie, until January, 7<sup>th<\/sup>, 2018.<\/p>\n<p><strong>5. And in Florence afterwards\u2026<\/strong><\/p>\n<figure id=\"attachment_1730\" aria-describedby=\"caption-attachment-1730\" style=\"width: 350px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1730\" src=\"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/09\/20170914Picture5-300x209.png\" alt=\"\" width=\"350\" height=\"244\" srcset=\"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/09\/20170914Picture5-300x209.png 300w, https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/09\/20170914Picture5-212x148.png 212w, https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/09\/20170914Picture5-768x535.png 768w, https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/09\/20170914Picture5.png 883w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><figcaption id=\"caption-attachment-1730\" class=\"wp-caption-text\">Photo: Biennale de l\u2019Antiquariato<\/figcaption><\/figure>\n<p>\u2026 at the <a href=\"https:\/\/www.fondazionecrfirenze.it\/biennale-dellantiquariato\/\"><strong><em>30<sup>th<\/sup> Biennale de l\u2019Antiquariato<\/em><\/strong><\/a> (from September 29<sup>th<\/sup> to October 7<sup>th<\/sup>), the first one after the changes in Italian rules for the export of cultural goods. This changes were partly based on the conclusions of a <a href=\"http:\/\/www.aise.it\/anno2017\/-lesportazione-dei-beni-culturali-simposio-internazionale-a-firenze\/84407\/120\"><strong>symposium<\/strong><\/a> hold by the Biennale\u2019s organization in March this year.<\/p>\n<p><strong>6. Or even in New York \u2026<\/strong><\/p>\n<figure id=\"attachment_1731\" aria-describedby=\"caption-attachment-1731\" style=\"width: 270px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1731\" src=\"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/09\/20170914Picture6-232x300.png\" alt=\"\" width=\"270\" height=\"350\" srcset=\"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/09\/20170914Picture6-232x300.png 232w, https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/09\/20170914Picture6-212x274.png 212w, https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/09\/20170914Picture6.png 703w\" sizes=\"(max-width: 270px) 100vw, 270px\" \/><figcaption id=\"caption-attachment-1731\" class=\"wp-caption-text\"><em>Photo: Cover of the Lindau Gospels, The Morgan Library.<\/em><\/figcaption><\/figure>\n<p>\u2026 to see <strong><em><a href=\"http:\/\/www.themorgan.org\/exhibitions\/magnificent-gems\">Magnificient Gems: Medieval Treasure Bindings<\/a><\/em><\/strong> at The Morgan Library, \u00a0a small exhibition of their extraordinary holdings on jeweled Medieval bindings (plus their <strong><em><a href=\"http:\/\/www.themorgan.org\/manuscript\/110807\">Beatus<\/a><\/em> <\/strong>from San Salvador de T\u00e1bara, Castille). But if you cannot visit it, you don\u2019t need to worry, because the Morgan has a put online generous selection of its <a href=\"http:\/\/www.themorgan.org\/collection\"><strong>collection<\/strong><\/a>, with thousands of images and fine commentaries.<\/p>\n<p><strong>7.<\/strong><strong> ARCA&#8217;s blog.<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1732\" src=\"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/09\/20170914Picture7-300x102.png\" alt=\"\" width=\"350\" height=\"119\" srcset=\"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/09\/20170914Picture7-300x102.png 300w, https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/09\/20170914Picture7-212x72.png 212w, https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/09\/20170914Picture7.png 680w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><\/p>\n<p>For me, one of the best blogs in heritage and heritage protection is the one published by <strong><a href=\"http:\/\/www.artcrimeresearch.org\/\">ARCA<\/a><\/strong> (<em>Association for Research into Crimes Against Art<\/em>). Their last <strong><a href=\"http:\/\/art-crime.blogspot.com.es\/\">post<\/a><\/strong> is about an Iraqi Jewish Archive to be returned by the US authorities to the Iraqi ones next year. It teaches you about what to do when papers and books have been hit by water: freeze them.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>1. Morgan the judge. In the case brought in Monaco against him by his former client Dimitry Rybolovlev, over commissions as his advisor, Swiss \u201cKing of the Freeports\u201d Yves Bouvier has been feeling the benefits of a having judge, Morgan \u00a0Raymond, asking the Russian magnate the right questions (article at Bilan, via artnet). Morgan came [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[15,24,29,42,52,3],"tags":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Seven for seven: From Monaco to Iraq. - Jordi de Nadal | Fine Arts<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jordidenadal.com\/en\/uncategorized\/from-monaco-to-iraq\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Seven for seven: From Monaco to Iraq. - Jordi de Nadal | Fine Arts\" \/>\n<meta property=\"og:description\" content=\"1. Morgan the judge. In the case brought in Monaco against him by his former client Dimitry Rybolovlev, over commissions as his advisor, Swiss \u201cKing of the Freeports\u201d Yves Bouvier has been feeling the benefits of a having judge, Morgan \u00a0Raymond, asking the Russian magnate the right questions (article at Bilan, via artnet). 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Morgan the judge. In the case brought in Monaco against him by his former client Dimitry Rybolovlev, over commissions as his advisor, Swiss \u201cKing of the Freeports\u201d Yves Bouvier has been feeling the benefits of a having judge, Morgan \u00a0Raymond, asking the Russian magnate the right questions (article at Bilan, via artnet). Morgan came [&hellip;]","og_url":"https:\/\/jordidenadal.com\/en\/uncategorized\/from-monaco-to-iraq\/","og_site_name":"Jordi de Nadal | Fine Arts","article_published_time":"2017-09-14T04:00:06+00:00","article_modified_time":"2017-09-14T09:58:14+00:00","og_image":[{"url":"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/09\/20170914Picture2-230x300.png","type":"","width":"","height":""}],"author":"jordi","twitter_card":"summary_large_image","twitter_misc":{"Written by":"jordi","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/jordidenadal.com\/en\/uncategorized\/from-monaco-to-iraq\/#article","isPartOf":{"@id":"https:\/\/jordidenadal.com\/en\/uncategorized\/from-monaco-to-iraq\/"},"author":{"name":"jordi","@id":"https:\/\/jordidenadal.com\/en\/#\/schema\/person\/f96ea5a622d76dd0eed1e795f03fd97d"},"headline":"Seven for seven: From Monaco to Iraq.","datePublished":"2017-09-14T04:00:06+00:00","dateModified":"2017-09-14T09:58:14+00:00","mainEntityOfPage":{"@id":"https:\/\/jordidenadal.com\/en\/uncategorized\/from-monaco-to-iraq\/"},"wordCount":469,"commentCount":0,"publisher":{"@id":"https:\/\/jordidenadal.com\/en\/#\/schema\/person\/f96ea5a622d76dd0eed1e795f03fd97d"},"image":{"@id":"https:\/\/jordidenadal.com\/en\/uncategorized\/from-monaco-to-iraq\/#primaryimage"},"thumbnailUrl":"https:\/\/jordidenadal.com\/wp-content\/uploads\/2017\/09\/20170914Picture2-230x300.png","articleSection":["Exhibitions","Market","Museums","Research","Seven for seven"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/jordidenadal.com\/en\/uncategorized\/from-monaco-to-iraq\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/jordidenadal.com\/en\/uncategorized\/from-monaco-to-iraq\/","url":"https:\/\/jordidenadal.com\/en\/uncategorized\/from-monaco-to-iraq\/","name":"Seven for seven: From Monaco to Iraq. - 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